VILÁGIRODALMI FIGYELŐ 5. ÉVFOLYAM (1959)

1959 / 2. sz. - BIBLIOGRÁFIA

• / Ujabb irodalom (Shakespeare-töl) 242 Baker, J. В.: James Joyce : Affirmation After Exile. MLQ 275—281. Barber, G. S.: Shaw's Contributions To Music Criticism. PMLA 1005—1017. Burnett, G. L.: Leigh Hunt Revises Letter. HLQ (20.) 284—291. Bataille, G.: Emily Bronte et le Mal. Cr (117.) 99—112. Botoson, F. IF.: Auden's (and Empson's) heirs. EC 76—80. [Larkin Ph. „The Less „Decived" és Davie D. „Brides of Reason" című kötetéről.] Bateson. E. 11'.: Organs of Critical Opinion : IV. The Times Literary Supplement. EC 349—362. Bateson. F. IF. : Second Thoughts : II. L. C. Knights and Restoration Comedy EC 56—67. Beaty. J.: Visions and Revisions : Chapter LXXXI of „Middlemach". PMLA 662—679. [George Eliot alkotó­módszere. ] Rennet. P. E. : The Statistical Measurement of a Stylis­tic Trait in „Julius Caesar" and ,.As You Like it". ShQ 33—50. Bensimon, P.: Wordsworth ou le revein- en plein midi. RdLM 39—54. B(ru, il. A.: L'Autobiographie de Stephen Spender. Témoignage sur notre temps. Cr (122) 593—604. Blayney, G.: Wilkin's Revisions in „The Miseries of Inforst Marriage". JEGPh 23—41. Blissett. II'.: Samuel Daniel's Sense of the Past. ES 49—63. Bloomfield, M. Ii'.: Distance and Predestination in „Troilus and Criseyde". PMLA 14—26. Blum, if. if.: The Fool in „The Love Song of J. Alfred Prufrock". MLN 424,-426. [T. S. Eliot.] Bokluud. G.: The Sources of ..White Devil". ESELL 1—226. [Webster.] Bonnerot, A.: John Osborne. EA 378—39]. Bostetter. B. A'.: Christabel : The Vision of Fear. PQ 183—194. Bonden, В.: The Human Shakespeare and ..Troilus and Cressida". ShQ 167—177. Brooks. Ch.: „Tamburlaine" and Attitudes Toward Women [Marlowe]. ELH l—11. Browne. В. В.: Shakespeare in the Nineteenth-Century Songsters. ShQ 207—218. Burrow. J.: Keats and Edward Thomas. EC 404—415. Cairn-ross, A. ,S.: The Quartos auf the Folio Text of Richard III. RES 225—233. Canseliet, A'.: L'Hermétisme dans !a vie de Swift. CS (344.) 15—30. Carlton. IF. ./.: The Third Man at Newgate. RES 402— 407. [Adatok- Diekensről.] Carrère. F.: Shakespeare et la Méditerranée. A FLA 141—161. Charney, il.: Shakespeare's Antony : A Study of Image Themes. SPh 149—161. Clifford, В.: The ..Trumpet-Major Notebook" and „The Dynasts". RES 149—161. [Th. Hardy.] Colby. R. A.: Orpheus ill the Counting House: „The Confidential Clerk". PMLA 791—802. [T. S. Eliot.] Coles .IF. A.: Mary Russell Mitford : The inauguration of a literary career. BRL 33—4«. Coley, II'.: The Authorship of „An Address to the Elec­tors of Great Britain". PQ 488—495. Colie. It. I.: Thomas Trahefne and the Infinite : the Ethical compromise. HLQ (21.) 69—82. Collins. P. .4. II'.: Shaw on Shakespeare. ShQ 1—13. Comquest. B. .The art of Enemy. EC 42—55. [Shakes­peare.] Cooke. A.: Addison's Aristocratic Wife. PMI.A 373—389. Connolly. Th. A'.: Swinburne on „The Musical of Poetry". PMLA 680—688. Couehman, G. IF.: Here Was a Caesar : Shaw's Comedy Today. PMLA 272—286. Chiealacik. IF.: О Tristraniie Shandy Sterne'a. KwN 212—229. [Orosz ki v.] Deusen. &I. van: Criticism and Beil Jonson's „To Celia". EC 95—103. Deutsch, il.: Lovecraft ou la Mythologie. ES 9. 256— 266. Draper, B. P.: Timon of Athens. ShQ 195—200. Duncan, J.: The Modality of the Audible in Joyce's „Ulysses". PMLA 286—295. Duncan, J. E.: Milton's Four-in-One-Hell. HL0 (20.) 127—136. Dyson, A. E.: A Note on Dismissive Irony. E 222—225. [Gibbon.] Donovan, M../.: The Image of Pluto and Proserpine in the „Merchant's Tale". PQ 49—«0. [Chauser.] Dun. It. Л ; Spenser's Calendar of Christian Tinte. ELH 269—29«. French, W. it.: Tlie Man in Black's Lyric. JEGPh 231— 241. Gettmann, Jt. A.: Barham and Bentley JEGPh 337—340. Hamilton, A. O.: Spenser and Tonrneur's „Transformed Metauiorpltosis". RES 127—136. Hanham, A.: The Text of The Cely Letters. Mae 186— 19«. Hetlinger, jr. S. A'.: The Margarite-Pearl Allegory in Thomas L'sk's Testament of Love. Sp 92—98. Hetlinger, jr., S. A".: The Concept of Order In Chaucer's „Clerk's Tale". JEGPh 382—395. Kaske. R, A'.: „Gigás" The Gigant in „Piers Plowman". JEGPh 177—185. Kaske, R. E. : The Knight's Interruption of the Monk's Tale [Chaucer], ELH 249—268. Latol r, J.: The Imaginative Unity of „Piers Plowman". RES 113—126. Lucas, H. S.: The Problem of the Poems Concerning The Murder of Count Floris V of Holland. Sp 283— 298. Markman, A. M.: The Meaning of „Sir Gawain and the Green Knight". PMLA 574—586. Meritt, H. D.: Old English Glosses to Gregory, Ambrose and Prudentius. JEGPh 65—68. Novarr, lt.: The Dating of Donne's „La Corona". PQ 259—265. Painter, S.: The Lords of Lusingan in the Eleventh and Twelfth Centuries. Sp 27—47. Ratines, E. il.: MS. Boulogue-siir-Mer 63 and Aelfric. Mae 65—73. Ryan, L.: Doctrine and Dramatic Structure in Everyman. Sp 722—735. Scamett, G. Г.—Rogers, H. L.: An Elegy on Henry VII. RES 167—170. Smithers, G. F.: The Meaning of the Seafarer and The Wanderer. Mac 137—153. Stewart. A*.: The Ballad and the Genres in the Eighteenth Centurv. ELH 120—137. Stokoe. IF. C'.: On Onthere's Steobord. Sp 299—300. Waldron. R. A. : Oral-Formulaic Technique and Middle English Alliterative Poetry. Sp 792—804. Whiting. It. J.: Thirteen Historical Novels. Sp 118—142. Williams, G. G.: ..The House of Fante" and the „House of the Musicians". MLN 6—9. [Chaucer müvének forrásai.] Woolf, R.: The Effect of Typology on the English Me­diaeval Plays of Abraham and Isaac. Sp 805—825. Wright. H. G.: Good and Evil : Light and Darkness : Joy and Sorrow in „Beowulf". RES 1—11. Zemann, E.: Continuity and change in Middle English versions of the Meditationes Vital Christi. Mae 25—31. Alteman—Ko/b—Woods—Zimansky: English Literature 1660—1800. A Current Bibliography. PQ 289—41«. Jorgensen, P. .4.: Shakespeare : An annotated Bibilio­graphy for 1956. ShQ 247—301. A Coping Stone. TLS March 29. 192. [J. Middleton Murry. ] A Portrait in Two Mirrors. TLS Febr. 1. 64.', [James Joyce. ] Out of the Sacred Wood. [T. S. Eliot.] TLS Oct. 18. 624. Adams, H.: Yeats's „Country of the Young". PMI.A 510—519. Adler, J. H.: Symbol and Meaning in „The little Black Boy." MLN 412—415. IBlake.] Allen, П. C.: An Explication of Lovelace's „The Grasse-Hopper". MLQ 35—43. Allen, N. В.: The Sources of Dryden's The Mock Astro­loger. PQ 453—464. Arnold, A.: The Function of Brabhntio in Othello. ShQ 51—56. Auden, W. H.: Music in Shakespeare. Its Dramatic Use in His Play. En Dee 31—44. Babb, S.: Policy in Marlowe's „The Jew of Malta". ELH 85—94. Baker, J.: Religious Implications in Browning's Poetry. PQ 436—452

Next