Acta Historiae Artium 35. (1990-1992)

1990-1992 / 1-2. szám

Ilona Sármány-Parsons: Ludwig Hevesi und die Rolle der Kunstkritik................................................................................................... 3 Éva Forgács: New Perspectives on Ernő Kállai's Concept on Constructivism........................................................................................... 29 G. Entz: Hans Hammer, Werkmeister des Straßburger Münsters in LTngarn........................................................................................... 35 Marianna D. Birnbaum: Thought on Janus Pannonius and the “Portrait of a Young Man" in the J. Paul Getty Museum . . 41 Gy. Rózsa: Gabriel Bethlen und die Kunst........................................................................................................................................................... 53 Melanie Fisher: Heritage, Modernity and the Image of the Horse in the Art of Béla Kádár............................................................ 63 Katalin Keserű: Historical Iconography of Hungarian Avantgarde............................................................................................................ 77 A. Rényi: Ästhetische Erfahrung und kunstgeschichtliche Hermeneutik. Ein Versuch, Rembrandts „Die drei Kreuze“ als Radierung zu deuten............................................................................................................................................................................................. 93 Z. Kádár: Zur Ideengeschichte der Bilder auf der Dukas-Krone.................................................................................................................... 109 Lívia Varga and P. Lővei: Funerary Art in Medieval Hungary.................................................................................................................... 115 Ursula Szulakowska: Patronage in Relation to Alchemical Illustration in the Early Italian Renaissance: Three Case Studies 169 Ibolya Gerelyes: The Influence of Ottoman-Turkish Art in Hungary, I. The Spread and Lise of Turkish Ornamental Weapons on the Basis of the 16—17th Century Hungarian Probate Inventories........................................................................................................ 181 J. Sisa: Landscape Gardening in Hungary and its English Connections................................................................................................... 193 G. Andrási: "The High-Soaring and the Earth-Bound Poor”. An Unknown Issue of MA from 1925 ............................................... 207 RECENSION ES И\ Frodl: Idee und Verwirklichung. Wien—Köln—Graz, 1988 (G. Entz)............................................................................................... J. Zimmer: Joseph Heintz der Altere. Berlin. 1988 (Teréz Gerszi)................................................................................................................ P. Hecht: De Hollandse fijnschilders. Amsterdam. 1989 (I. Németh)............................................................................................................ First International Congress on Turkish Tiles and Ceramics. Istanbul. 1989 (Ibolya Gerelyes)........................................................ Hannelore Sachs: Der Flügelaltar von St. Marien zu Bernau (J. Végh)........................................................................................................ Polyptiques. Le tableau multiple du moyen âge au vingtième siècle (J. Végh)...................................................................................... Géza Hajós: Romantische Gärten der Aufklärung. Englische Landschaftskultur des 18. Jahrhunderts in und um Wien (Anna Zádor )........................................................................................................................................................................................................................... Dmitri V. Sarabianov and Natalia L. Adaskina: Popova (Edit András)................................................................................................... LTne tapisserie Lorraine au Musée National Hongrois (Gy. R.).................................................................................................................... ERRATA In Acta Históriáé Artium Tomus XXXV, Fasciculi 1 -2 (1990—1992) the correct texts of illustrations are: p.45. Fig.3. Portrait of Jacopo Marcello (v.38 in “Life and Passion of Saint Maurice” Bibliothèque Nationale, Paris) p.47, Fig.4. Portrait of Francesco Gonzaga (Galleria Nazionale i Museo Capo di Monte, Naples) 85 87 89 91 213 214 216 217 219

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